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<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center"
align=center><B><SPAN
style="FONT-SIZE: 24pt; FONT-FAMILY: Tahoma; mso-bidi-font-size: 10.0pt; mso-ansi-language: PL">Luty
2005<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office"
/><o:p></o:p></SPAN></B></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL"> </SPAN><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL"> <o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt 205.55pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL">1. 02<SPAN
style="mso-tab-count: 1"> </SPAN>wt. <SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="COLOR: teal; FONT-FAMILY: Tahoma">18.00 <SPAN
style="mso-tab-count: 1"> </SPAN><B>Francuskie Rendez-vous: Hommage
Truffaut - <I>Les quatre cent coups/ 400 batów</I></B><I>, </I>1959,
93’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
lang=EN-US style="COLOR: teal; FONT-FAMILY: Tahoma"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. 20.00 <SPAN
style="mso-tab-count: 1"> </SPAN><B>Francuskie Rendez-vous: Hommage
Truffaut - <I>La peau douce/ Gładka skóra</I></B>, 1964,
115’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">2. 02<SPAN
style="mso-tab-count: 1"> </SPAN>śr.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 18.00<SPAN
style="mso-tab-count: 1"> </SPAN><B>Z Archiwum Polskiego Filmu
Eksperymentalnego</B>: Polski Film Abstrakcyjny (ww)<SPAN
style="COLOR: teal"><o:p></o:p></SPAN></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
lang=EN-US style="COLOR: teal; FONT-FAMILY: Tahoma">5. 02<SPAN
style="mso-tab-count: 1"> </SPAN>sob.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 17.00 <B>Hommage Truffaut - <I>Les
quatre cent coups/ 400 batów</I></B><I>, </I>1959, 93’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
lang=EN-US style="COLOR: teal; FONT-FAMILY: Tahoma"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. 19.00 <B>Hommage
Truffaut - <I>La peau douce/ Gładka skóra</I></B>, 1964,
115’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm -14.15pt 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
lang=EN-US style="COLOR: teal; FONT-FAMILY: Tahoma"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. 21.00 <B>Hommage
Truffaut<SPAN style="mso-spacerun: yes"> </SPAN>- <I>Baisers volés/
Skradzione pocałunki</I></B>, 1968, 120’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL">6. 02<SPAN
style="mso-tab-count: 1"> </SPAN>niedz.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 16.00 <B>Hommage Truffaut - <I>Le
dernier métro/ Ostatnie metro</I></B>, 1980, 130’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. 18.30 <B>Hommage
Truffaut - <I>La femme d'à côté/ Kobieta z sąsiedztwa</I></B><I>, </I>1981,
106’<o:p></o:p></SPAN></P>
<H1
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-SIZE: 10pt; COLOR: teal; FONT-FAMILY: Tahoma"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=DE
style="FONT-SIZE: 10pt; COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: DE">20.30
Hommage Truffaut - <I>Vivement dimanche/ Niech żyje niedziela</I>, 1983,
111’<o:p></o:p></SPAN></H1>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt 127.6pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">7. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pon.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN
lang=EN-US style="FONT-FAMILY: Tahoma">19.00<SPAN
style="mso-tab-count: 1"> </SPAN><B><I>Great Moments in
Aviation</I></B>, reż. </SPAN><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">Biban Kidron, Wlk. Bryt.
1993, 93’- film na podstawie prozy Jeanette Winterson (ww)<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt 127.6pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL">8. 02<SPAN
style="mso-tab-count: 1"> </SPAN>wt.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 18.00
<B>Francuskie Rendez-vous: Hommage Truffaut - <I>Baisers volés/ Skradzione
pocałunki</I></B>, 1968, 120’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. 20.15 <B>Hommage
Truffaut - <I>Le dernier métro/Ostatnie metro</I></B>, 1980,
130’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 35.45pt 70.9pt 127.6pt"><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL">9. 02<SPAN
style="mso-tab-count: 1"> </SPAN>śr.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 19.00<SPAN
style="mso-tab-count: 1"> </SPAN><B>Młode kino
izraelskie:</B> <B style="mso-bidi-font-weight: normal"><I>Plac
Desperado/Desperado Square/Kikar Ha-Halomot</I></B><SPAN
style="mso-bidi-font-weight: bold">, reż. Benny Toraty, 2000, 98’</SPAN><B
style="mso-bidi-font-weight: normal"> <o:p></o:p></B></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 35.45pt 70.9pt 127.6pt"><SPAN
lang=EN-US style="COLOR: #993300; FONT-FAMILY: Tahoma">11. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pt.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 19.00<SPAN
style="mso-tab-count: 1"> </SPAN><B>Młode kino
izraelskie:</B><B style="mso-bidi-font-weight: normal"> <I>Lato Avii/The Summer
Of Avia/Ha-Kayitz Shel Aviya</I></B><SPAN style="mso-bidi-font-weight: bold">,
reż. Eli Cohen, 1988, 95’ </SPAN></SPAN><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL; mso-bidi-font-weight: bold"><o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 35.45pt 70.9pt"><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL; mso-bidi-font-weight: bold"><SPAN
style="mso-tab-count: 1">
</SPAN><SPAN style="mso-tab-count: 1">
</SPAN></SPAN><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL">godz.
</SPAN><SPAN lang=EN-US style="COLOR: #993300; FONT-FAMILY: Tahoma">20.30
<B>Młode kino izraelskie:</B><B style="mso-bidi-font-weight: normal"> <I>W
konarach drzew/ The Dom Tree Is Occupied/ Under The Domim Tree/ Etz Hadomim
Tafus</I></B><SPAN style="mso-bidi-font-weight: bold">, reż. </SPAN></SPAN><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL; mso-bidi-font-weight: bold">Eli
Cohen, 1994, 102’</SPAN><B style="mso-bidi-font-weight: normal"><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL"><o:p></o:p></SPAN></B></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt 134.7pt"><SPAN
style="COLOR: navy; FONT-FAMILY: Tahoma; mso-ansi-language: PL">12. 02<SPAN
style="mso-tab-count: 1"> </SPAN>sob.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 15.00 <B>ETIUDA NON-STOP: Maraton z
animacją węgierską</B><o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 35.45pt 70.9pt 127.6pt"><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL">13. 02<SPAN
style="mso-tab-count: 1"> </SPAN>niedz.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 18.00 <SPAN
style="mso-tab-count: 1"> </SPAN><B>Młode kino
izraelskie: </B><B style="mso-bidi-font-weight: normal"><I>Przyjaciele Janyo/The
Friends Of Nina/Ha- Chaverim Shel Yana</I></B><SPAN
style="mso-bidi-font-weight: bold">, reż. Arik Kaplun, 1999, 90’</SPAN><B
style="mso-bidi-font-weight: normal"><o:p></o:p></B></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 35.45pt 70.9pt 127.6pt"><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL; mso-bidi-font-weight: bold"><SPAN
style="mso-tab-count: 1">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN
lang=EN-US
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-bidi-font-weight: bold">20.00<SPAN
style="mso-tab-count: 1"> </SPAN><B>Młode kino izraelskie: </B></SPAN><B
style="mso-bidi-font-weight: normal"><I><SPAN lang=EN-US
style="COLOR: #993300; FONT-FAMILY: Tahoma">Express Afula/Afula
Express</SPAN></I></B><SPAN lang=EN-US
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-bidi-font-weight: bold">, reż.
</SPAN><SPAN
style="COLOR: #993300; FONT-FAMILY: Tahoma; mso-ansi-language: PL; mso-bidi-font-weight: bold">Julie
Shles, 1997, 95’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt 134.7pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">14. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pon.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">19.00 <B><I>mysterium.occupation</I></B>, reż.
</SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">A. Kudinenko,
Białoruś / Hol. 2003, 90’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt 127.6pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL">15. 02<SPAN
style="mso-tab-count: 1"> </SPAN>wt.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 19.00
<B>Francuskie Rendez-vous: Hommage Truffaut - <I>La femme d'à côté/ Kobieta z
sąsiedztwa</I></B><I>, </I>1981, 106’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
lang=EN-US style="FONT-FAMILY: Tahoma">16. 02<SPAN
style="mso-tab-count: 1"> </SPAN>śr.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 20.30
<B><I>mysterium.occupation</I></B>, reż. </SPAN><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">A. Kudinenko, Białoruś / Hol.
2003, 90’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">17. 02<SPAN
style="mso-tab-count: 1"> </SPAN>czw.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">20.30 <B><I>mysterium.occupation</I></B>, reż.
</SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">A. Kudinenko,
Białoruś / Hol. 2003, 90’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">18. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pt.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">19.00 <B><I>Atanarjuat, the Fast Runner</I></B>,
reż. </SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">Zacharias
Kunuk, Kanada 2001, 167’ (ww)<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">19. 02<SPAN
style="mso-tab-count: 1"> </SPAN>sob.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 19.00 <B>Vit Pancir</B> – filmy
eksperymentalne z Czech<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">20. 02<SPAN
style="mso-tab-count: 1"> </SPAN>niedz.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">19.00 <B><I>Atanarjuat, the Fast Runner</I></B>,
reż. </SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">Zacharias
Kunuk, Kanada 2001, 167’ (ww)<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">21. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pon.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 19.00
<B><I>mysterium.occupation</I></B>, reż. A. Kudinenko, Białoruś / Hol. 2003,
90’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: PL">22. 02<SPAN
style="mso-tab-count: 1"> </SPAN>wt.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN
lang=DE style="COLOR: teal; FONT-FAMILY: Tahoma; mso-ansi-language: DE">19.00
<B>Francuskie Rendez-vous: Hommage Truffaut<SPAN
style="mso-spacerun: yes"> </SPAN>- <I>Vivement dimanche/ Niech żyje
niedziela</I></B>, 1983, 111’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">23. 02<SPAN
style="mso-tab-count: 1"> </SPAN>śr.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">20.30 <B><I>Atanarjuat, the Fast Runner</I></B>,
reż. </SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">Zacharias
Kunuk, Kanada 2001, 167’ (ww)<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">24. 02<SPAN
style="mso-tab-count: 1"> </SPAN>czw.<SPAN
style="mso-tab-count: 1"> </SPAN>godz.<A name=OLE_LINK4> </A></SPAN><SPAN
style="mso-bookmark: OLE_LINK4"></SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">20.30 <B><I>Atanarjuat, the Fast Runner</I></B>,
reż. </SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">Zacharias
Kunuk, Kanada 2001, 167’ (ww)<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="COLOR: purple; FONT-FAMILY: Tahoma; mso-ansi-language: PL">25. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pt.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 18.00<SPAN
style="mso-tab-count: 1"> </SPAN><B>Między kinem a
sztuką, miedzy rzeczywistością a fikcją – Filmy grupy ANNA SANDERS FILMS:
</B>Program I<B><o:p></o:p></B></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="COLOR: purple; FONT-FAMILY: Tahoma; mso-ansi-language: PL"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz.
20.30<SPAN style="mso-tab-count: 1"> </SPAN>Spotkanie z
Charlesem de Meux (prowadzi Agnieszka Kurant) </SPAN><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">(ww)<SPAN
style="COLOR: purple"><o:p></o:p></SPAN></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt 127.6pt"><SPAN
style="COLOR: purple; FONT-FAMILY: Tahoma; mso-ansi-language: PL">26. 02<SPAN
style="mso-tab-count: 1"> </SPAN>sob.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="COLOR: purple; FONT-FAMILY: Tahoma">18.00<SPAN
style="mso-tab-count: 1"> </SPAN>ANNA SANDERS FILMS: Program
II<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 127.6pt; TEXT-INDENT: -127.6pt; tab-stops: 7.1pt 35.45pt 70.9pt 127.6pt"><SPAN
lang=EN-US style="COLOR: purple; FONT-FAMILY: Tahoma"><SPAN
style="mso-tab-count: 2">
</SPAN><SPAN style="mso-tab-count: 1"> </SPAN>godz.
20.00<SPAN style="mso-tab-count: 1"> </SPAN>ANNA SANDERS
FILMS: <B><I>Blissfully Yours / Skrajne żądze</I></B>, reż. Apichatpong
Weerasethakul, Francja/Tajlandia 2001, 125’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">27. 02<SPAN
style="mso-tab-count: 1"> </SPAN>niedz.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. </SPAN><SPAN lang=EN-US
style="FONT-FAMILY: Tahoma">19.00 <B><I>mysterium.occupation</I></B>, reż.
</SPAN><SPAN style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">A. Kudinenko,
Białoruś / Hol. 2003, 90’<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt 134.7pt; TEXT-INDENT: -134.7pt; tab-stops: 7.1pt 35.45pt 70.9pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">28. 02<SPAN
style="mso-tab-count: 1"> </SPAN>pon.<SPAN
style="mso-tab-count: 1"> </SPAN>godz. 19.00
<B><I>mysterium.occupation</I></B>, reż. A. Kudinenko, Białoruś / Hol. 2003,
90’<o:p></o:p></SPAN></P>
<DIV
style="BORDER-RIGHT: medium none; PADDING-RIGHT: 0cm; BORDER-TOP: medium none; PADDING-LEFT: 0cm; PADDING-BOTTOM: 1pt; BORDER-LEFT: medium none; PADDING-TOP: 0cm; BORDER-BOTTOM: windowtext 0.75pt solid">
<P class=MsoNormal
style="BORDER-RIGHT: medium none; PADDING-RIGHT: 0cm; BORDER-TOP: medium none; PADDING-LEFT: 0cm; PADDING-BOTTOM: 0cm; MARGIN: 0cm 0cm 0pt; BORDER-LEFT: medium none; PADDING-TOP: 0cm; BORDER-BOTTOM: medium none; tab-stops: 135.0pt; mso-border-bottom-alt: solid windowtext .75pt; mso-padding-alt: 0cm 0cm 1.0pt 0cm"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL"> <o:p></o:p></SPAN></P></DIV>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt -1cm; TEXT-ALIGN: justify; tab-stops: 135.0pt"><SPAN
style="FONT-FAMILY: Tahoma; mso-ansi-language: PL">Kino zastrzega sobie
możliwość niewielkich zmian w programie.<SPAN
style="mso-tab-count: 1">
</SPAN>Bilety w cenie 10 - 12 zł. do nabycia w kasie na pół godziny przed
seansem. Ulgowe dla studentów, emerytów i bezrobotnych po okazaniu legitymacji.
Ilość miejsc ograniczona. Miejsca nienumerowane. Rezerwacje pod numerem 628 12
71-3 wew. 135 do odbioru najpóźniej 20 min. przed seansem. Informacje wew. 135
lub 160. Stałe informacje o programie na stronach: <B
style="mso-bidi-font-weight: normal">http://csw.art.pl/kino_lab</B><o:p></o:p></SPAN></P></FONT></DIV></BODY></HTML>